#AUTODESK FLAME PARTICLES HOW TO#

In fact Mudbox is really smart and it will tell you when something is wrong and how to correct that. So their toolsets are different and because of that, their 3D dataset requirements are slightly different. Mudbox is a 3D sculpting and 3D painting application compared to Maya which is a more general 3D application. In part 2 of the 3D Interoperability series, you'll recap some of the topics from part 1 as well as start looking at the interoperability between Flame and Mudbox. In the first part of this series, you learnt the fundamental basics of how to instantly exchange 3D data between the Flame 2020.3 Update, Maya 2020 and Mudbox 2020.

If you need to familiarise yourself with Dolby Visionв„ў as well as their best practices and hardware display recommendations, Please visit the Dolby website - Please refer to the Flame on-line documentation for a detailed explanation of the various supported Flame, Flare and Flame Assist configurations. This video will assume that you have a general understanding of Dolby Visionв„ў. So in the Flame products, you can master Dolby Visionв„ў As well as edit the Dolby Vision metadata with a sophisticated, yet flexible, suite of tools. And in order to view the content, Dolby Visionв„ў has also been added across a range of displays including the latest UHD viewing hardware. Dolby Visionв„ў has become one of the deliverable standards and it has been implemented with various content streaming providers such as Netflix, Amazon, etc. So its main purpose is to provide the content producer with some control over how HDR masters will play back on displays that have less dynamic range or colour gamut. Now Dolby Laboratories developed this HDR format to make the most of High Dynamic Range and wide colour gamut technology. There is support for Dolby Visionв„ў 2.9 and Dolby Visioв„ўn 4.0 and this is available in the timeline as well as Batch enabling you to have HDR workflows ranging from simple mastering tasks all the way up to complex conform workflows. In this series, we are going to cover how to master Dolby Visionв„ў deliverables which has been introduced in the Flame 2021 products. As long as you try these tools on multiple shots, youвЂ™ll eventually understand Which situations may be successful. Similar to all the previous videos, the Machine Learning Models are only as good as their training And depending on certain conditions They may or may not be successful. But as a usual reminder with Machine Learning, this is not a perfect solution. WeвЂ™ll run through some examples to cover the features. This is all achieved using the familiar Semantic Keyer workflow and the Human Face Segmentation is available in the timeline as well as Batch and BatchFX. So you can isolate the skin, eyes, the mouth, nose, ears and much more.

With this new release of Flame, you can now segment various parts of the human face for any compositing, grading and beauty work.

So previously, the machine learning models were able to recognise and isolate the human body and human head for various finishing tasks.

The only minor airbrushing is applied to the hair and feathers, and a couple small composite mask bleeds around the rock.With the release of Flame 2021, the machine learning models have been enhanced yet again to give you more choice and flexibility When working on your productions. Final renders we created in Maya Mental Ray and composites in Photoshop. Textures were started in Photoshop and finished in Zbrush and Cinema 4D Body Paint and are all hand painted. The models were started in Maya and finished in Zbrush. I decided I finally wanted to wrap up this project so I spent a week wrapping it up and putting together renders for this composite. It took me down some rabbit holes between not having a strong enough computer to complete the sculpt at one point, obsessing over color detail from all angles thinking about maybe a 3D print or animated poster which lead to wanting to attempt a real hair sim (which ended up being a deep deep rabbit hole, but I settled on a sculpt with a little paint over in the final image here). ItвЂ™s always been my experimental piece so a lot of the stuff on here I hadnвЂ™t tried before at the time. Ihave no idea how long I ever actually spent on it but probably way too long. I started this project a long long time ago and have worked on it on and off. I wanted this image to fall somewhere between surreal and realistic much like the character and comic do, so hopefully it achieves this. The Maxx is a very abstract character that changes form quite a bit from image to image, but this my culmination of the character existing in the Outback of Pangaea.

Autodesk flame particles